Swiss Culture in Perspective

Indian Switzerland, African Switzerland, Little Switzerland, Switzerland of Cameroun, Switzerland of the Orient, Subtropical Switzerland, Switzerland Rangers, Danish Switzerland, Berlin Switzerland, Swiss Canyon, Salvadoran Switzerland, Central American Switzerland, la Suiza Argentina, la Suiza Peruana or Austrian Switzerland, Switzerland is well represented all over the world and on the five continents.

Switzerland in the World

Adjacent to the Federal Palace (Bundeshaus) in Bern is a stone garden featuring a sculpture by the artist George Steinmann. Five groups of rocks are on a rectangular surface of white gravel, each embodying one of the five continents.

The stones in the sculpture come from five continents and were taken from areas, landscapes, hills and places that bear the name ‘Switzerland’ (translated from the national language). In these foreign ‘Swiss’ areas, where the stones are now missing, a sign indicates how far away you would find them again (in Bern).

The designations are usually due to a resemblance to the Swiss landscape or the presence of Swiss emigrants. It turns out that Switzerland is represented in many countries. Switzerland is, therefore, known all over the world.

But how well-known is Swiss culture abroad? Under the title: “Swiss culture: an export product?” some 300 participants and experts discussed this topic at the 99th Congress of the Organisation of the Swiss Abroad SwissCommunity in St. Gallen (18-20 August). Another matter was the political participation of Swiss citizens abroad and e-voting in preparation for the federal elections on 22 October.

Ariane Rustichelli, Director of the Organisation of the Swiss Abroad SwissCommunity

Political participation and E-voting

At its meeting on 16 August 2023, the Federal Council decided that the e-voting system may be used in the national elections on 22 October in the cantons of Basel-Stadt, St Gallen and Thurgau. Swiss nationals living abroad and registered in the voting register of these cantons can elect their representatives to parliament electronically.

The cantons have always been a constitutional and political ‘laboratory’ for federal constitutional issues. These pilot projects could be the prelude to E-voting’s (re)introduction.

Members of the Swiss Community also passed a resolution to establish a working group to increase the political participation of the ‘Fifth Switzerland’. This working group will cooperate with other similar organisations.

Members also requested further federal support for their engagement. It is also topical because emigration is often only temporary today. Moreover, foreign perspectives, experiences and concepts can enrich Switzerland.

Martin Candinas, president of the National Council

Swiss culture – an export product?

My office as President of the National Council has often taken me abroad this year. What always impresses me are the encounters with Swiss citizens. These encounters have shown me that Swiss culture is not just a product for export. I think we can speak of an export success“.

With these words (after welcoming those present in Romansh (Sursilvan), National Council President Martin Candinas introduced the topic.

Although it may be an export success, Switzerland, as a culturally rich country, is relatively unknown abroad, not only on other continents but also in Europe. A recent survey shows that other Europeans associate Switzerland with mountains, nature, cheese, chocolate, skiing, fondue and other topics, but rarely or not at all with culture.

Alexandre Edelmann (Director a.i. of Präsenz Schweiz) during his speech about the survey

Is it the Swiss modesty, the presentation, the lack of aristocratic and princely courts, or a golden age in earlier times? The Swiss cultural landscape has always been internationally oriented, and even today, many scientists, architects, writers, musicians, and other artists are shaping the international stage in various fields, often without revealing their nationality.

In itself, it is not relevant. The proof of the pudding is in the eating. Switzerland’s culture is omnipresent in music, visual arts, theatre, dance, literature, and modern media, and is often organised at the local, cantonal, or communal level. The quality is high in the numerous museums, concert halls, villages, towns, parks, and even at 2,284 metres!

Swiss culture is bottom-up and decentralised. It has always been a motor for (international) contacts, innovation, creativity and organisational success. But perhaps this federal, decentralised cultural scene is a reason for the (relative) unfamiliarity with Switzerland as a cultural country.

The Béjard Ballet in Lausanne, the Salle de la Musique in La Chaux-de-Fonds, the jazz festivals in Montreux or St. Moritz, the paper cutting in Château d’Oex, the Ziegler ceramics in Schaffhausen, the Vitra Design Museum in Weil am Rhein, the Fondation Pierre Gianadda, the watch industry, the broderie in eastern Switzerland, the music festivals in Lucerne or Gstaad, the Michalski Fondation in Montricher, the Beyeler Fondation in Riehen or the baroque orchestra La Cetra in Basel are just a few examples. Many Swiss artists are also active in other countries.

Tradition and innovation

Conclusion

The cultural landscape of Switzerland has always been internationally known but almost always ‘low profile’, in contrast to the 48 mountains with a very high profile. The humanist Desiderius Erasmus (1467-1536) already appreciated this environment.

Laufen, a portrait through History

In Roman times (15 B.C.-410 A.D.), a road ran from Val Terbi (canton of Jura) via Laufen and the Platten Pass to the Rhine Bend (Rheinknie) bei Basel and Augusta Raurica. The excavation of a large Roman villa revealed valuable artefacts.

The construction of the first St. Martin church is dated to the time of Frankish rule (6th-8th century). The settlement owed its name to the Birs’ waterfall, the “Laufen”. Laufen used to mean waterfall.

The Untertor (a. 1300)

Laufen was first mentioned in documents in 1141, when King Konrad III (1094-1152) donated the ‘Courtis Loufen’, previously owned by the monastery of St Blasien (Black Forest, nowadays Baden-Wurttemberg), to the prince-bishopric of Basel. Laufen received city rights in 1295.

Around 1300, the Count of Pfirt was the lord of the Dinghof Laufen. A Dinghof is the German name for an estate with its own jurisdiction in the Middle Ages. Half of it passed later to the Habsburgs by inheritance, while the other half went to the prince-bishopric.

The Lords of Ramstein, later the new owners of Zwingen Castle, became the Lords of Ramstein. In 1459, this dynasty was extinguished, and the bishop of Basel acquired the territory and rights.

The Obertor (a. 1300)

The Wassertor (a. 1300)

Laufen concluded a treaty with the city of Basel (thus not with the bishop) and converted to the new faith in 1525. In 1589, however, Bishop Christoph Blarer von Wartensee (1542-1608, based in Pruntrunt) dissolved this treaty and implemented the Counter-Reformation. The bishop still owned the city.

The construction of the Baroque Katharina Church was completed in 1698. A chapel already stood on this site in the 14th century.

In 1792, France occupied Laufen, and the Raurakian Republic was declared (1792-1793). In 1793, Laufen was assigned to the Mont-Terrible department and, in 1800, to the new Haut-Rhin department.

By decision of the Congress of Vienna (1814-1815), the town was assigned to the canton of Bern. Since 1 January 1994, following a referendum, the city has belonged to the canton of Basel-Landschaft.

The main cultural sights are the St. Katharinen church, the three city gates, parts of the city wall, the main street, the prehistoric dolmen and the Birs.

(Source and further information: Gemeinde Laufen)

The Birs

The Katharinenkirche

The former city hall, 15th century. 

Helias Helye

Museum Laufental

Monument 1914-1918 

The Federal Square of Bern

The part of the city centre, the Federal Square (Bundesplatz) in Bern, was once part of the medieval fortifications and features a moat called the ‘Oberer Graben’. They were built before 1256.

This area developed further between the years 1570 and 1630. The Square reached its present form in the 19th and 20th centuries.

In 1858, the city commissioned a monumental fountain to adorn the square in front of the new Federal Palace. The basin was designed by the architect of the Palace, Friedrich Studer (1817-1879). The four swans are the work of sculptor Joseph Hubert Verbunt (1809-1870). They symbolise the four rivers: the Rhone, the Rhine, the Reuss and the Ticino. The principal figure represents Berna (modelled in 1863 by the sculptor Rahpael Christen (1811-1880), goddess of the city, and not Helvetia.

The Federal Square is bounded by the Parliament Building of the Swiss Confederation and the seat of the Federal Government (Curia Confoederationis Helveticae), the Swiss National Bank (Schweizerische Nationalbank) and the Bernese Cantonal Bank (Berner Kantonalbank). The fountain has 26 water jets, representing the 26 cantons.

(Source: www.bundesplatz.bern.ch).

The Clock Tower of Bern

Switzerland is a country of wristwatches, meteorological clocks, and astronomical clocks. The Zytglogge (also known as the Zeitglockenturm) is the first western gate of the city of Bern and was built between 1200 and 1256. The tower was integrated into the city wall on both sides. Today, it is part of the rows of houses.

The tower is in the centre of the old town. The overall appearance was completed in 1770, incorporating the astronomical clock and the music box, which were installed between 1527 and 1530. Old units of measurement and town histories can be seen in the gateway.

City histories by Gotthard Ringgli (1575-1635), c. 1607-1610. The granting of the Handveste by Emperor Frederick II in 1221.

Gotthard Ringgli, Duke Berchtold V of Zähringen commissioned Cuno von Bubenberg to build the town. The pictures are copies of the originals in the Bernese Historical Museum.

Meteorological clocks

Bern

Sils Maria

Chur

Wristwatches

Collection: Omega Museum Biel

The Reuss, Aare, Aareschlucht, Rhine, Limmat and Swiss Koblenz

Koblenz (canton of Aargau) is the confluence site of the Aare and the Rhine. The Aare is the largest tributary of the Rhine, with more cubic metres of water per second than the Main or the Moselle at Koblenz in Germany.

Switzerland is the water castle of Europe. The area in the triangle of Brugg, Turgi, and Klingnau, where the three rivers Aare, Reuss, and Limmat merge into the Aare at the Gebenstorfer district Vogelsang, is referred to as the water castle (Wasserschloss) of Switzerland.

The Rhine and the Reuss originate in the Gotthard massif. The source of the Aare is the Oberaar glacier in the Bernese Alps. The river then flows through Lake Thun and Brienz, Bern, and the canton of Solothurn. The Limmat is an outflow of Lake Zurich.

It was canalised in the Correction of Jurassic Waters in the nineteenth and twentieth centuries. After absorbing the Limmat, it enters the Rhine near Koblenz.

The Aare is the longest river flowing exclusively on Swiss soil, measuring 295 kilometres.

The beginning of the Aareschlucht near Meiringen

The end of the Aareschlucht

Meiringen, Sherlock Holmes et James Moriarty

The Aare in Solothurn

The Aare, The Rhine and the Reuss near Koblenz

The Rhine near Kaiseraugst

Two Empires in Brugg and Windisch

Two empires left their mark on the Brugg-Windisch region (Canton Aargau). The Roman Legionary Park Vindonissa (Windisch) and the city of Brugg in the Habsburg Empire were important military and administrative sites.

Roman Empire

The army camp for a Roman legion (about 5,000 troops and officers) was built around 15 AD to guard the border (Limes) with the Germanic tribes. Many remains of buildings recall the centuries-long stay of the Romans. Moreover, several complexes have been partially or fully rebuilt or renovated as replicas.

The Contuberna (soldiers’ quarters) and the villas of senior officers and the commander have been rebuilt in the Legionary Park. The walls, towers, and entrance gates (the porta principalis (west gate), the porta praetoria (south gate), and the porta decumana (north gate)), the balneum (bathhouse), the valetudinarium (hospital), and the aqueduct, among others, can be seen.

Switzerland’s oldest amphitheatre (11,000 spectators) is outside the camp. Moreover, the Romans introduced viticulture. Roman viticulture is still being cultivated in four places (römische Rebberge).

The Vindonissa Museum recounts the Roman presence through numerous archaeological finds and extensive documentation.

Habsburg

The Habsburgs built their castle, Habsburg, a few kilometres from Brugg. After this, the castle lost its strategic significance in the 13th century, and Brugg’s importance increased.

On the site of the former legionary camp, Queen Elisabeth (1285-1353), the widow of King Albert I (1255-1308), who was murdered in 1308, founded two monasteries and built the monastery church Königsfelden in memory of her husband. Albert I was buried in Speyer Cathedral, but until 1528, Habsburg descendants were buried and commemorated in the monastery church by Franciscan monks and nuns of the order of Clarisses.

The beautiful Gothic glass windows date from the years 1330-1350. In addition, the church was a memorial to the knights killed at the Battle of Sempach in 1386.

The bear of Bern and the coat of arms of Austria-Habsburg, 1669. The upper class of Bern was also buried in the monastery church of Königsfelden, a testament to the great prestige of the Habsburgs.

The monastery was dissolved in 1528, and the Franciscan convent was subsequently demolished. Today, the remaining buildings are used as (psychiatric) hospitals and archives.

Brugg

Habsburg Castle and the new Worldpower

One of the most informative sources on the early Habsburgs is the Acta Murensia on the foundation of the monastery of Muri in 1027. The Habsburgs descended from a family from Alsace.

(See also the last Habsburger in Basel)

The Habsburg castle was built around 1030. The Acta Murensia mention the Habsburg Radbot and the Bishop Werner of Strasbourg as builders. Around 1100, Otto II was the first Habsburg to refer to himself as Count of Habsburg. This title referred to the count’s status in Alsace.

The vordere Burg with the Steinhaus and the Ostturm, The Burghof with the Sodbrunnen and the hintere Burg. After P. Frey, M. Hartmann, E. Mauer, die Habsburg. 
Albrecht Kauw (1616-1681), rond 1670. The Habsburg Castle from four perspectives. Collection: Bernisches Historisches Museum

The Habsburgs benefited from the extinction of other dynasties in the region (including the counts of Lenzburg and later Kyburg). They acquired earldoms in the southern Zurichgau, in the Frickgau, and around 1200 also in Aargau.

In 1273, the electors of the Holy Roman Empire elected Count Rudolf IV (1218-1291) as German king Rudolf I. Habsburg Castle was then no longer suitable as a residence, and the Habsburgs moved to Brugg, Bremgarten or Laufenburg.

The seal of King Rudolf I. Staatsarchiv des Kantons Bern
Habsburg territories around 1265. After P. Frey, M. Hartmann, E. Mauer, die Habsburg.

Nobles in the service of Habsburg then occupied the castle until the conquest of Aargau by the Swiss Confederation in 1415. In 1469, the castle came into the hands of the Königsfelden monastery in Brugg.

The Eidgenossen knock on the door, 1415. Diebold Schilling, Spiezer Chronik. Burgerbibliothek Bern, Mss.h.h.I.16, p. 629.

When the monastery was dissolved in 1528, the castle fell to Bern. In 1804, the new canton of Aargau became the owner.

Today the castle a national monument. A small exhibition showcases the castle’s building history and the rise of the Habsburgs to a global power.

(Source and further information: Via Habsburg; P. Frey, M. Hartmann, E. Mauer, die Habsburg, Bern 1999; Museum Aargau)

The vordere Burg

The hintere Burg

The Burghof

The Sodbrunnen is the deepest medieval source in Switzerland, built around 1100. The depth is 68.5 meters

The countryside

The namesgiver

The Swiss Textile Industry

For a long time, Eastern Switzerland was one of the world’s most significant and largest exporters of textile products. Around 1910, more than half of the world’s embroidery production came from Eastern Switzerland.

Embroidery was also the largest export sector of the Swiss economy, accounting for around one-fifth of the total. The First World War (1914-1918) marked the end of the heyday of embroidery in eastern Switzerland.

Already in 825, the St. Gallen Monastery produced clothing and other textiles. International trade began in the fifteenth century, following the establishment of the first guild of weavers in St. Gallen.

The linen industry and international trade flourished until the early 18th century, when the production of cotton textiles began to replace it. Following the invention of the hand embroidery machine, the cotton industry was replaced mainly by embroidery around 1850.

The village and region of Herisau (Canton of Appenzell Ausserrhoden) were not only among the most densely populated areas of Europe in the 17th century, but were also leaders in linen production. Trogen (Canton Appenzell Ausserrhoden) took over this role in the 18th century. Another vital textile village was Teufen.

With the invention of the hand embroidery machine in 1828 by Josua Heilmann (1796-1848), embroidery increasingly replaced cotton production. Isaak Groebli (1822-1917) invented the Schiffli embroidery machine in 1863, and the textile industry reached its peak.

The Swiss textile industry was a serious competitor to the British industry. The British government sent a parliamentary delegation to Switzerland in 1835 to investigate this ‘economic miracle’. The parliamentarian John Bowring (1792-1872) wrote a report that, in certain aspects, remains topical today.

Today, numerous companies in Eastern Switzerland are still among the world’s leading and most innovative suppliers of (high-tech) textiles and related industries – from haute couture, plastics, and filters to conductor technology, and the St. Gallen embroidery is still regarded as a world leader.

Trade and the manufacture of textiles had a decisive influence on Eastern Switzerland—and vice versa, perhaps comparable to the watch industry in Western Switzerland.

Villages with the appearance of cities and the architecture, palaces and (former) textile factories in the town of St Gallen are the silent witnesses of international entrepreneurship, innovation and commitment to the ‘Heimat’.

St. Gall, Textilmuseum

The Rhine Valley is called the high-tech and textile valley. A centuries-old economy, nowadays linked to high-tech innovations in this sector.

(Source and further information: Textilland Ostschweiz; Textilmuseum St. Gallen; Museum Herisau; Jahrhundert der Zellweger; Textildorf Rehetobel; Sauer Museum)

Johannes Hädener, drawing, Herisau 1789. 

Herisau, its palaces and the rosegarten, founded by the Landammann Laurenz Wetter (1654-1734) in 1695

The Huguenot community in Bern

This year marks 400 years since services in French were first held in Bern’s former Dominican church since then known as the French Church (l’église française de Berne).

The anniversary looks back at the great waves of Huguenot emigration in the 17th century and the role of this French-speaking Protestant community in the city of Bern. This history is also a current challenge: bringing languages and cultures together and connecting them.

The festivities will take place from Sunday, 27 August to 1 October 2023.

(Source and further information: die französische Kirche Bern)

See also: Stiftung VIA-Auf den Spuren der Hugenotten und Waldenser

The French Church of Bern

The church is the oldest preserved church in Bern. It was built around 1300 for the Dominican monastery, founded in 1269. Since 1623, it has been the church of the French-speaking Protestants.

The Dominicans were expelled from Bern during the Reformation, and the monastery became a hospital. Reformed worship in French was introduced at that time at the request of the French maréchal Louis de Champagne, Comte de la Suze (1573-1637). He donated a fund to maintain the French service on his departure from Bern.

The nave received a new west façade and round-arched windows in 1753. The choir dates from the 13th century. The north side is windowless in the middle because the monastery adjoined here. The monastery was demolished in 1899. The stage between the nave and choir shows paintings from around 1495.

Altenrhein, Alter Rhein and Hundertwasser

Altenrhein is a border village located in the municipality of Thal, in the canton of St. Gallen, adjacent to Austria. Altenrhein lies at the end of a headland between arms of the (Alter Rhein) old Rhine delta.

In 983, the village was mentioned as Rinisgemünde, in 1402 as zum vornchtigen Rhin. Since the 17th century, the village has been referred to as Altenrhein.
In 983, the Bishop of Constance donated Altenrhein to the Petershausen Monastery in Constance. In the late Middle Ages, a settlement of the Abbey of St. Gall gradually developed.

Der Alte Rhein (the Old Rhine)

In addition to cultivating fields and pastures, the population primarily lived off the produce from the Rhine and Lake Constance. Since 1900, the course of the Rhine near Altenrhein has been fed only by the Rhine Valley inland canal, and as a result, it has become deserted. The riparian and reed landscape was placed under protection in 1973.

In 1803 (foundation of the Canton of St. Gallen), Altenrhein became part of the political municipality of Thal. Between 1926 and 1927, the airfield and the Dornier Aircraft Works Altenrhein were built and later transformed into the Flug- und Fahrzeugwerke Altenrhein (FFA) in 1949.

Today, the village is known for the St. Gallen-Altenrhein airfield, the (former) Flug- und Fahrzeugwerke Altenrhein, the Altenrhein Aviation Museum, and the Hundertwasser architectural project (Die Markthalle-Altenrhein) on Lake Constance. Altenrhein is also a popular destination for water sports, tourism, and local recreation.

(Source and further information: Bodensee Kultur.info)

The Hundertwasser Projekt (Die Markthalle Altenrhein)

Like other more than 30 buildings in Europe and Japan, the project is an example of the architectural concepts of the artist Friedensreich Hundertwasser (1928-2000).