Tessanda Handweaving Mill and der European Textile & Craft Award

]The European Textile Academy, an independent international platform for interdisciplinary knowledge transfer in the textile industry, organises the European Textile & Craft Award.

The aim is to recognise outstanding achievements in contemporary and traditional craftsmanship, art professions, and their connection to the world of design. In 2024, Tessanda won first prize in the Textile Craft category.

Tessanda

The Tessanda handweaving mill in Sta. Maria (Canton Graubünden) was founded in 1928 to offer women a job and the opportunity to receive recognised professional training as handweavers. Tessanda was established under the patronage of the ‘Società ütil public Val Müstair’, a non-profit association that has existed since 1910.

At the same time as the Tessanda was being set up, the ‘Società ütil public Val Müstair’ association also founded the Sta. Maria school, which is still active today and where the two-week block courses for prospective weavers from all over Switzerland still take place three times a year.

The school in Sta. Maria is the smallest in Switzerland and is supervised by the ‘Società ütil public Val Müstair’. Tessanda has been an independent foundation since 1955.

Today, Tessanda is one of three professional handweaving mills in Switzerland and an important cultural asset of Val Müstair. It still weaves by hand on wooden looms, some over a hundred years old. Currently, 17 well-trained and experienced hand weavers and seamstresses work at Tessanda.

Linen

A hundred years ago, flax was still being cultivated in Val Müstair. The women of Müstair spun their yarn and wove shirts, bed linens, kitchen towels, and other items by hand on their traditional looms. Most of the textiles were for their use.

Processing the harvested flax plants into natural linen yarn is a laborious and arduous process. That is why the flax fields gradually disappeared from Val Müstair and the whole of Switzerland. Processing became too expensive.

However, flax fields are not only valuable sources of yarn but also highly beneficial for promoting biodiversity. The Val Müstair Biosphere Nature Park and the Tessanda launched the Reintroduction of Flax in the Val Müstair project in 2021. Since then, two farmers and private individuals have planted and harvested flax.

The first flax harvest took place in October 2023. After harvesting the dried flax plants, people met to process them together. The stems were fluted, broken, and then chewed on old equipment. The last harvest occurred on 12 October at the Tessanda premises in Sta. Maria.

(Source and further information: Handweberei Tessanda, Sta. Maria)

Museum d’engiadina bassa Scuol

Exhibition about Tessanda in the museum and Chalandamarz

The Clavel-Villa, Emperor August and Augusta Raurica

Emperor Augustus (63 BC-14 AD), whose statue stands on the Castelen Estate in Augst (Canton of Basel-Landschaft), rightly turns his gaze to the Clavel-Villa. Basel did not yet exist in his time, and the Rhine still flowed in various tributaries through uninhabited land. There were only a few small Celtic settlements, including on Münster Hill and today’s Novartis Complex site.

View of Basel and the Rhine Knee from the Clavel Villa in 2024

Basel was also ‘romanised’ in a few generations, and the area became later known as Basilea, but Augusta Raurica was the most important city in this region on the Rhine. Augusta Raurica was founded in 44 BC by Lucius Munatius Plancus (87-14 BC), likely at the initiative of Julius Caesar (100-44 BC).

At its peak in the second century AD, the city had a population of around 20,000. It was constructed according to the Roman model. It included a stone theatre, two (!) amphitheatres, a forum, a basilica, various bathhouses, temples, city palaces, residential areas, a harbour, and a bridge over the Rhine.

After the Romans left in the fifth century, the Roman urban structure was lost, and the rise of the city of Basel began. The Augusta Raurica open-air museum offers a fascinating glimpse into the Roman Empire-era Augusta Raurica.

View of the Roman theatre from the Clavel-Villa

On the site of Augusta Raurica, the villages of Augst and Kaiseraugst (Canton Aargau), with several hundred inhabitants, emerged in the Middle Ages. For centuries, the Roman ruins were primarily used as building materials. Interest in the Roman past emerged only at the end of the 16th century.

This eventually led to the opening of the Augusta Raurica open-air museum in 1957. Especially in the 19th and early 20th centuries, the scientific, financial and organisational basis for this museum was laid.

Alexander Zschokke (b. 1955), bust of René Clavel at the Antikenmuseum Basel

One of the great personalities who contributed to the museum’s realisation was René Clavel (1886-1969), the namesake of the Clavel-Villa, which overlooks Basel and Augusta Raurica.

Invitation to a garden party at the Castelen-Villa. René Clavel also participated in the famous Gordon Bennett flying competition.

Clavel, a wealthy Basel industrialist (and brother of Alexander Clavel (1881-1973) of the Wenkenhof in Riehen), was not only an enthusiastic pilot and balloonist but also interested in antiquity and Rome.

In 1955, he donated the Domus Romana, among other things, to the Augusta Raurica Foundation, having previously bought historically relevant land for the museum.

He bought the land and buildings of the current Clavel-Villa in the early 20th century. This site not only overlooked ancient Augusta Raurica but also had a rich Roman history of its own. In Roman times, there were large villas (domus) and residential areas (insulae) for the elite. Nowadays, we would speak of a villa quarter.

This ‘villa district’ also fell into disrepair after the fifth century, and it was not until the 17th century that documents mention vineyards, military buildings, and cannons at this location. The name Castelen probably dates back to this time, ‘auf Cästellein’.

Entrance to the Clavel-Villa

Clavel purchased the Castelen Plateau (land) to integrate the existing buildings into a new manor house, which is now known as the Clavel-Villa. Since 1969, the Römer-Stiftung René Clavel has owned the villa, which has since collaborated closely with Augusta Raurica and the Canton of Basel-Landschaft.

Wall of the Clavel-Villa and Emperor Augustus

The complex, interior, and garden have remained in the same state, apart from some extensions (including the meeting room (Plenarsaal)) and renovations. The client and his architect, Max Alioth (1883-1968), realised their goal: a historicising atmosphere with an eye for craftsmanship, the Roman past, and details in the so-called Heimatstil.

A Roman mosaic in the villa

The five bronze copies in the garden at the front of the house and the bronze statues at the back are made by the firm Chiurazzi in Naples. The decoration of several villa rooms, including the Pompeianum, is, as it were, the precursor of the Domus Romana.

The architectural garden in front of the Clavel-Villa 

and the private garden at the back

Augustus now looks out on the Clavel-Villa and even Romulus and Remus with respect, satisfaction, and approval. Following another legend about Rome’s origins, they stand apart from the wolf in the architectural garden at the front.

The wolf at the front 

and Romulus and Remus at the back of the villa

Today, the villa is a meeting place for various cultural events, including the Jacob Burckhardt-Gespräche, the Colloquia Raurica, university meetings and, of course, staff and researchers of Museum Augusta Raurica.

(Source and further information: H. Reinau, M. Schweizer, Castelen. Geschichte und Gegenwart, Augst 2010)

Impressions of the interior

A painting by Gilbert Clavel (1883-1927), brother of René, artist and resident in Italy

The heraldry of Clavel

A mill symbolises the stability of the canton and the Confederation

1461 Peter Reich von Reichenstein bought Landskron Castle, including a mill on the Mühlbach at Flüh. Today, Landskron Castle is in France, near the village of Leymen (Alsace), just over the border from the canton of Solothurn. At the time, however, Alsace still belonged to the Habsburgs.

Flüh consisted of a few farms. The neighbouring village was Hofstetten. Today, the municipality is called Hofstetten-Flüh (canton of Solothurn). Hofstetten was not just any village; until 1408, it was one of the seven free imperial villages of the Blauen (Reichsdörfer am Blauen). In 1408, the Lords of Rotberg acquired the seven villages.

They subsequently lost their independence (including jurisdiction and ownership of meadows and forests) after other lords (including the Bishop of Basel and the lords of Hofstetten) had already gained more rights.

Hofstetten

Witterswil

In 1515, Solothurn acquired Hofstetten and Flüh from the lords of Rotberg, and from that point forward, Hofstetten and Flüh became part of the canton of Solothurn. The canton of Solothurn experienced European history and the (civil) wars of religion at close quarters but emerged relatively unscathed.

As a result, the Flühmühle mill was never destroyed during the war and remains standing today. Since 2004, it has primarily served a residential function. For over 550 years, it was used as a grain mill and, from the 19th century onwards, as an oil mill (Ölerei) and cider mill (Mosterei).

Solothurn

Solothurn, France and the Habsburgs

The Reformation, which occurred between the 1520s and 1530s, brought significant political and religious changes to the region. Basel and Bern became Protestant, while Solothurn remained Catholic (eventually).

France took over southern Alsace, including the Sundgau and the Landskron, at the time of the Peace of Westphalia (the end of the Thirty Years’ War) in 1648, first with the Margrave of Baden and then as sole owner from 1663. Sébastien le Prestre, Seigneur de Vauban (1633-1707), transformed the castle into a fortress. In 1813, Allied troops destroyed the fortress in the battle against Napoleon.

The Landskron since 1813

Hofstetten-Flüh, the Virgin Chapel and the Flühmühle mill

The first written mention of the Flühmühle dates back to the Landskron sale contract (1461). At that time, a miller rented the mill.

Since 1543, the mill has also been featured in a special place in the Marienkapelle (Chapel of the Virgin) or Siebenschmerzenkapelle (Chapel of the Seven Sorrows, 15th century). Mariastein Abbey (built in 1655) did not yet exist.

The year 1541 was a significant milestone for the mill. On Saint Lucia’s Day (13 December), the knight Hans Thüring, son of the lord Jacob Reich von der Landskron, had an accident near the Chapel of the Virgin when he fell off the cliff. During the raging plague, he and his relatives from Pfirt and Landskron had taken refuge in Mary’s chapel to benefit from the healthier air.

According to legend, he then climbed up there alone. He clung to a branch to look down into the gorge. The branch broke, and he fell into the precipice. He survived; only his jaw was broken.

An anonymous painter immortalised this event in 1543 in a painting known as the ‘Miracle’ (Mirakelbild). This painting depicts the episode with the chapel of the Virgin and the Bruderhaus on the left, the mill in the middle and the Landskron on the right. The story of the miraculous fall is depicted on the reverse of the painting.

Werner Küry (the miller) and his valet Simon brought Hans Thüring to the mill on horseback. He was nursed for eight days at the mill before being taken to Landskron. On the left is the priest Jakob Augsburger from the Virgin Chapel. The castle lord probably commissioned the painting as a thank-you for the favourable outcome.

The Chapel of the Virgin also benefited. He also redecorated the chapel in honour of Mary, particularly with the family coat of arms and the painting of the miracles. Since then, this chapel has also been known as the Reichenstein Chapel (Reichensteinische Kapelle).

In the context of the Reformation and Counter-Reformation of the time, the Catholic canton of Solothurn was thus able to emphasise God’s grace and, therefore, Catholic superiority.

The depiction of the mill in the Chapel of the Virgin and the Landskron is an important historical and cultural source. Although the painting may not fully reflect reality, it provides a good impression of the mill, its function, and its location.

The Flühnühle today

After 1543

After 1543, the Getreidemühle (grain mill) underwent several changes, with parts disappearing or being replaced and the site being extended. Nevertheless, the foundations provide a good record of their development.

The mill changed ownership several times but remained true to its original purpose: as a grain mill. The grain came mainly from the immediate vicinity and, to a lesser extent, from the Sündgau. In the 19th century, the facility was extended to include an oil and cider mill.

Unknown artist, the baths of Flüh and the Mariastein monastery, 18th century, picture: Wikipedia

The Flüh Baths: 1560-1970

In addition to the Flüh mill, Flüh also boasted another attraction between 1560 and 1970: Bad Flüh (the Flüh baths). Since 1560, the village has been known for its water springs and bathhouse. However, the monks and visitors to Mariastein claimed that the main attraction was the meetings between (scantily clad) men and women. In any case, the site was demolished in 1970 after a long decline.

Mariastein

  1900-present day

In 1953, the mill’s sizeable wooden wheel was replaced by a turbine, which was then supplied with electricity. The mill continued to operate for several decades—the last report dates back to May 2004, after which it was converted for residential use. However, the mill structures are still largely intact, and the new residential function does full justice to the mill.

The Flüh mill (even though it no longer grinds), the Talbach, and the Mühlbach bear witness to a past with a future. Fifty metres away, the Talbach and Mühlbach join and continue flowing into the Birs.

Conclusion

This continuity has been possible thanks to renovation, innovation, good management, political stability and diplomacy on the part of the canton and the Confederation, even in times of (civil) war in neighbouring countries and within the Confederation, and indeed also some luck.

This (relative) stability is not self-evident. Still, it is one of the fundamental characteristics of the Confederation: the search for what is feasible, the pragmatic compromise, even in the era of the Reformation, the wars of religion (European and Swiss) of the sixteenth and seventeenth centuries and the Sonderbund war of 1847.

Church in Sta. Maria (Val Mustair, canton Graubünden), an example of a Simultaneum church from the 16th century until well into the 19th century, Catholics on one side, Protestants on the other

Simultaneum (the joint use of churches), the Disputatio, the Ilanz articles in the Free State of the Three Leagues (1524/1526) and even the separation of the cantons (the Appenzell in 1597) at a time of Catholic-Protestant unrest are typical Swiss solutions.

The town of Solothurn rightly honours one of the earliest representatives of this Helvetian characteristic, Nicolas de Flüh (1417-1487).

Solothurn

Weissenstein, Bruder Klaus Kapelle

Switzerland also has a unique way of appreciating the old and the traditional, valuing them alongside new developments and adapting to them.

Innovation, modernisation, and high technology, alongside —and not necessarily always in place of—the old structures, form the foundation of this society and the participation of its citizens, thanks to direct democracy, subsidiarity, federalism, and decentralisation.

In short, the nation has an incompatibilité d’ humeur and is a contradictio in terminis in its relationship with the European Union.

Impressions of Hofstetten-Flüh, Witterswil and surroundings

The Schöpfliweg between Hotstetten and Flüh, a former Celtic road and settlement

Hofstetten

St. Johanneskapelle 

 

St. Niklauskirche

The moated castle Binningen and the Anabaptist David Joris

The moated castle (Weiherschloss) Binningen was first mentioned in 1299. Its owner is unknown, but the Basler citizen Heinrich von Zeise is likely to have built it.

Johann von Brügge alias David Joris and Joachim van Berchem bought the castle, the St Margarethen estate and the Holeeschlösschen in 1545. In 1574, Nikolaus von Hatstatt took over the castle.

Many other owners resided in the castle, and various renovations and extensions were carried out until 1960. The Imhof-Haus (built in 1591) and the 16th-century Burgerhaus are part of the complex.

The Bürgerhaus (on the left),  das Imhof-Haus (on the right)

The municipality of Binningen acquired the complex in 1960, and today, Schloss Binningen is home to a restaurant and a hotel.

(Source and further information: Schloss Binningen)

A Family from Basel and Centuries of Regional Relationships

The moated castle (Wasserschloss) of Inzlingen (Baden-Württemberg) is the only one in this region preserved in its original state. In the immediate vicinity, only the moated castles (Weiherschloss) in Binningen and Bottmingen remain in the Canton of Basel-Landschaft.

The history of the Inzlingen moated castle near Basel, Bettingen and Riehen is closely linked to that of the Basler family Reich von Reichenstein.

This family served the Bishop of Basel in the 13th century. The bishop donated the Reichenstein Castle in Arlesheim (Canton Basel-Landschaft) to the family around 1250. The Reichensteins were represented in the administration of Basel from the 13th to the 15th century, providing six mayors and a university rector.

In the 16th and 17th centuries, the family was among the leading elite of the principality of Basel, with four canons and senior officials. From the 15th century onwards, family members began serving the Duke of Austria and the Margrave of Baden.

Possessions in the Basel, Sundgau, and southern Black Forest region included the castles and estates of Reichenstein in Arlesheim, Brombach in the Wiesental, Inzlingen with Wasserschloss in Baden-Württemberg, and Buschweiler. Additionally, there were the Landskron, the villages Leymen and Biederthal, as well as Thann and Pfirt (Ferrette) in Alsace.

The Wasserschloss in Inzlingen

The ‘Wasserhus’ in Inzlingen was first mentioned in a document from 1470. The Reichensteins probably built the castle at the end of the 14th century, after Margrave Rudolf von Hachberg-Rötteln (1343-1428) had given the village to the family on loan in 1394.

The family remained in possession of this fief until 1819, and the Reichensteins lived in the castle as Lords of Inzlingen until the dissolution of the Inzlingen fief in 1813, a history of more than four centuries!

The moated castle received its current form in 1562/63. In the mid-18th century, the castle’s interior and exterior were rebuilt in the Rococo style.

In 1819, the Reichensteins sold the moated castle to manufacturers from Basel, who established a silk weaving mill. In 1875, the Saner family, also from Switzerland, bought the estate and combined it with a farm.

Inzlingen

In 1969, the municipality of Inzlingen bought the moated castle and the surrounding estate. Today, the castle serves as the village’s town hall and houses a restaurant, accommodations, and event facilities.

The history of Inzlingen, situated at the foot of the Dinkelberg (522 metres), the only mountain in the canton of Basel-Stadt, is also the history of centuries of natural, political, economic, linguistic, and social relations in this region of Baden-Württemberg, Alsace, and Basel.

(Source and further information: Schlossverein Inzlingen)

Gurtnellen, strahlnen, Crystal and the Gotthard Pass

Many people (including Swiss) have probably never heard of Strahlnen (or Strahlen). Yet strahlnen has made the village of Gurtnellen in the canton of Uri and places in other cantons world-famous. Monarchs from all over Europe had chandeliers and other objects made from crystal from Uri and other cantons.

Crystal from the Grimsel, Guttannen (canton Bern). Collection: Naturhistorisches Museum Basel. Photo: TES

Model of a crystal rock. Collection: Naturhistorisches Museum Basel. Photo: TES

Strahlnen (or strahlen) is the Swiss German word for looking for crystal in the Alps. Strahl is an ancient German term for rock crystal. Strahlnen (or strahlen) is the Swiss German word for searching for crystals in the Alps.

The village’s history dates back to the early Middle Ages. Gurtnellen is first mentioned in documents of the 13th and 14th centuries. The town lies on the road to the Gotthard Pass, which has brought work and prosperity since the 13th century.

Simple wooden bridges (footbridges, Stege in German), later massive wooden and eventually stone bridges, formed the connection across the Reuss and its many streams.

The opening of the Gotthard road in 1826 and the construction and subsequent opening of the first Gotthard railway tunnel (1872-1982) also brought significant population growth, employment, and prosperity to this village.

The village’s characteristic houses were built during this time. Gurtnellen’s population rose from a few hundred to more than 1,600 by 1920. This was due not only to passenger and goods transport services but also to other industries. Granite, lead, copper, and silver mining, as well as Strahlnen, were also essential pillars of the local economy.

The ‘strahlnen’ of minerals and granite crystals made the village and other places world famous! (See also the book on Strahlnen in Graubünden: Flurin Maissen, Mineralklüfte und Strahler der Surselva, Disentis 1988).

Flurin Maissen (1906-1999) was known as the ‘Green Father’ (Disentis monastery) thanks to his commitment to environmental protection and alternative energies. In 1969, he co-founded the Institut per studis retoromontschs in Rumein, which later became the Fundaziun Retoromana Pader Flurin Maissen in Laax.

As in many places, a hydroelectric plant for white energy was built in Gurtnellen around 1925. Today, the multifaceted and innovative village is a beloved holiday resort and an interesting resting spot in a rural environment.

In a way, Gurtnellen symbolises one of Switzerland’s qualities: preserving old traditions and combining them with new, innovative, and modern knowledge and ways of living.

(Source and further information: Gemeinde Gurtnellen; Schweizer Strahlermuseum)

The City and the castle of Erlach

Erlach (also known as Cerlier in French) is first mentioned in the 11th century. Burkhard von Fenis (bishop of Basel 1072-1105) built the castle, and his brother Kuno von Fenis (bishop of Lausanne 1093-1103) founded the abbey St. Johannsen. Count Rudolf von Neuenburg-Nidau (Lake Biel was formerly known as Nidauersee) granted city rights in 1266.

The castle is one of the oldest in the canton of Bern. The Counts of Neuenburg also lived there.

In the 13th century, the castle became the property of the Dukes of Savoy, who used it as the bailiff’s residence. Bern conquered the town in 1474. Nowadays, the castle houses an educational institute and the Museum of Erlach.

(Source and further information: www.museumerlach.ch)

Erlach and St. Petersinsel/l’Ile Saint-Pierre

Erlach Castle

  

Other impressions

 

Martin Disler (1949-1996), sculpture from ‘Häutung und Tanz’, 1990. Loan from  Galerie Mayhaus, Erlach

Image: Museum Erlach

Image: Museum Erlach