The Mittlere Brücke, Augusta Raurica, Augst and Kaiseraugst

The Roman legion that crossed the bridge from Kleinbasel to Grossbasel on March 11 did not understand much of what was happening. The Centurion was also convinced that a bridge over the Rhine existed two thousand years ago. However, the inscription on the building on the Kleinbasel side left no doubt: this bridge is 800 years old.

The confusion among the Romans was understandable. After all, they had not been in this region for more than 16 centuries after their departure in 410 AD.

They could not imagine that the small Celtic oppidum with settlements on the Münster and at the old gas factory, and the small Roman Vicus had a bridge and a stone one. This bridge replaced the partly wooden, partly stone bridge that had connected Kleinbasel with Grossbasel since 1225.

Due to heavy traffic, including trams, cars, and trucks, the bridge was replaced by the current one in 1905. This connection led to a significant increase in trade and passenger traffic, making Basel the most crucial city in the region overnight.

Not long after, Kleinbasel and Grossbasel were merged in 1392 into one municipality. However, the Lallekönig in Grossbasel and Vogel Gryff in Kleinbasel keep the animosity alive.

The Lallekönig

The Roman legion did indeed walk over a Rhine bridge 16 centuries ago. However, this bridge was in Augusta Raurica (the current Augst and Kaiseraugst). The foundations and fortifications can still be traced. Sixteen centuries ago, the Roman Colonia Augusta Raurica was the only city in this region.

Like other cities along the Rhine (Rheinfelden and Laufenburg, for example), the Roman Colonia Augusta Raurica was also split into two parts by history: Augst in the canton of Basel-Landschaft and Kaiseraugst in the canton of Aargau. Until the 14th century, Augst was the name for the Roman Augusta Raurica.

For once, Napoleon had nothing to do with this. In the 14th century, the Habsburg Rheinfelden acquired the area of the current Kaiseraugst, hence the name’ Kaiser’ .

The Lords of Farnsburg acquired the area that is now Augst in 1461. The city of Basel acquired this area from the Lords of Farnsburg. Kaiseraugst fell under the canton of Aargau in 1803, Augst under the canton of Basel and from 1833 under the canton of Basel-Landschaft.

(Source and further information: Die Stadtgeschichte Basel; Geschichte der Stadt Basel)

Huningue, Swiss Neutrality, Alemannic Poets and the Bridge over the Rhine

Huningue is known for the Dreiländerbrücke/la Passerelle des Trois Pays, which has connected Switzerland, Germany (Weil am Rhein), and France since 2007, or more precisely Baden, Alsace, and the canton of Basel-Stadt. This further delineation is interesting because of the history of this small town on the Rhine.

The first mention of Huningue was in a document from 828 under the name ‘Villa Huninga’. This document was a donation deed to the monastery of St. Gall, and the signature was at Villa Huninga. The name Villa and the signing of a deed already indicate some relevance in the largely illiterate Middle Ages.

After the eleventh century, the prince-bishopric of Basel was the owner (Dinghof) of Huningue for centuries.  Culturally, there was also a strong connection, and Alemannic was the spoken language. Moreover, Basel is just a few kilometres away.

In the 12th or 13th century, however, the Habsburgs acquired this place. Due to a (chronic) lack of money, Habsburg pawned it again to Basel in 1310. Sometime later, the Habsburgs again ruled over the town, but Basel regained control after the conclusion of a new pawn.

Huningue also became embroiled in the rivalry between the Habsburgs (with their other properties in Alsace and parts of Baden), Basler noble loyalists (chaplains or Domherren), and the city of Basel. In 1509, the inhabitants of Huningue chose the side of Basel in a conflict (the so-called Türkenpfennig) and wanted to belong to Basel.

Many Citizens of Huningue served in the militia of Basel. Musée historique et militaire de Huningue

As a result, during the Basel Reformation in 1529, Huningue also converted to Protestantism, making it the only municipality in Habsburg and Catholic Sundgau (a southern region of Alsace). Under the care and protection of Basel, the situation remained stable until 1623, when the pawn expired and the Habsburgs regained full ownership. The city of Basel tried in vain to acquire Huningue.

As a result, in 1648, at the Peace of Westphalia, the Habsburg area in Sundgau became part of France. Louis XIV (1638-1715), the Sun King, visited Huningue in 1681 after the conquest of the whole of Alsace, including Strasbourg (and temporarily Breisgau and Freiburg). On October 20, 1681, he arrived in Huninque after a journey with 400 carriages via Sainte-Marie-aux Mines, Sélestat, Breisach, Freiburg, and Ensisheim.

In Ensisheim (the old capital of Outer-Austria/Vorderösterreich), the 13 cantons of the Confederation and their ally (zugewandter Ort) Mulhouse (until 1798 (!) still Mühlhausen) and associated member of the Confederation) honoured the Sun King.

Model of the Fort in Huningue. Musée historique et militaire de Huningue

Since 1516 and 1521, France and the Confederation had the ‘Eternal Peace’ (der ewige Friede, la Paix éternelle). However, the first thing the Sun King did in Huningue was visit the new fort by Sébastien Le Prestre de Vauban (1633-1707), his fort builder (see, among others, the (disappeared) forts in Neuf-Brisach, Breisach, and Belfort). During this visit, his majesty declared:

that the Swiss nation should not worry about the erection of the fortress; that the city of Basel had nothing to fear, that its commerce could only benefit under this protection, covering the inviolability of its borders; that the fort of Huningue had been raised to oppose invasions and to respect Swiss neutrality”.

The right bank of the Rhine shows Fort Vauban’s enlargement into the territory of Basel and partly Baden. The village on the other side of the Rhine is Kleinhuningen, located near the Wiese, part of the Canton of Basel; the island is the Schusterinsel. Picture: after a drawing by Emanuel Büchel (1705-1775), Ville de Huningue.

More than a century later, in 1796, Huningue was a front city in the First Coalition War  (1792-1797). Austrian troops had reached the Rhine. France had already occupied the Schusterinsel (also known as Kälberinsel) in the Rhine directly at and across the border of Basel. The garrison counted more than 3000 officers and men under General Jean Charles Abbatucci (1770-1796).

Huningue, Place d’Abbatucci

L’église St. Louis (1700). The church of the garrison of Vauban’s fort. Only these buildings of the fort were not destroyed in 1815. Model: Musée historique et militaire de Huningue. Model: Musée historique et militaire de Huningue

The Confederation’s neutrality was at stake because Basel did not oppose this breach of its neutrality. The situation was further complicated by Austria’s advance through Basel’s territory without resistance and even in cooperation with other prominent citizens and opponents of revolutionary France, including  Johann Rudolf Burckhardt (1750-1813), the father of Sheik Ibrahim ibn Abdallah.

Another prominent Basel resident, Peter Ochs (1752-1821), who later played a prominent role in the Helvetic Republic (1798-1803), primarily denounced Austria’s violation of neutrality. Ochs supported the ideas of the French Revolution and wanted to change the old Confederation and its ancien régime. ‘

Neutrality was already a source of discussion and disagreement at that time. Ochs wrote extensively about this neutrality in his Geschichte der Stadt und Landschaft Basel/Histoire de Bâle (1786-1821). This subject remains relevant.

Capitulation of French troops to the Austrians. Musée historique et militaire de Huningue

Napoleon ignored the Sun King’s words and conquered the old Confederation and Basel in 1798. Vauban’s fort was demolished after the French capitulation in 1815.

The remains of the fort

Three wars (1870-1871, 1914-1918, and 1939-1945) and the neutrality of the Confederation further, the Dreiländerbrücke/Passerelle des Trois Pays connects Alsace, Baden, and Basel. However, the linguistic separation seems definitive with French, High German, and Baseldütsch.

The crossing of the Rhine, April 1945

However, the educational, cultural, political, economic, and social contacts, projects and exchanges are intense and successful. Of the 6,000 inhabitants of Huningue, around 1,500 work in Basel, and the Three Countries’ Poets’ Trail (Sentier des poètes des trois pays/DreylandDichterweg) along the Rhine has more than symbolic value. Once upon a time, they spoke and wrote in Alemanic.

(Source et plus d’informations: (Le Bulletin 2023, Societe d’Histoire Huningue, Village-Neuf et de la Région frontalière; Ville de Huningue)

Musée historique et militaire de Huningue

Dreiländerbrücke/la Passerelle des Trois Pays seen from Place d’Abbatucci

The canal of Huningue and the Parc des Eaux Vives

The protestant church

Kloster Schönthal Association 25 years old

The former Schönthal monastery (Kloster) near Langenbruck (canton of Basel-Landschaft) is idyllically situated in the middle of 100 hectares of forest, meadows, and Jura landscape. Today, art and nature dialogue on the site of the medieval monastery.

The site features a freely accessible sculpture park showcasing over 30 contemporary works of art, rotating exhibitions, and cultural events.

The Kloster Schönthal Association (Verein Kloster Schönthal) is celebrating its 25th anniversary this year and is using the occasion to offer art and nature lovers a diverse cultural programme.

The programme is designed according to the seasonal cycle. It begins in spring with British artist Richard Long (*1945), whose work, Cowshed Ellipse, can already be seen in the sculpture park. He is creating one new site-specific work in the church and another in the monastery courtyard.

From May 1 to December 7, 2025, these new works will be displayed alongside those from Richard Long’s other creative periods.

(Source and further information: Verein Kloster Schönthal)

The Tulip Festival in Morges and the gardens of Vullierens castle

Morges is hosting the Tulip Festival again, with more than 140,000 flowers and about 350 varieties of tulips. From 28 March to 11 May 2025, this year’s theme is ‘water’; visitors can immerse themselves in the world of ‘water’ and Lake Léman (Lake Geneva).

The festival is organised by the association Morges Fleur du Léman. It celebrates the beauty of flowers and nature, much like the Dahlia Festival, which takes place annually from July to October.

PS: Vullierens Castle also reopens its gardens to the public.

(Source and further information: Schloss Vullierens; Verein Morges Fleur du Léman)

Maelwael, the Van Lymborch Brothers and the Bible of Moutier-Grandval

On March 21, the opening of the year of the Van Lymborch brothers (Gebroeders Van Lymborch) and Johan Maelwael took place in the Stevenskerk in Nijmegen. Herman (1385-1416), Paul (1386-1416), Johan (1388-1416) van Lymborch and their uncle Johan Maelwael (1370-1415) are recognised as the founders of the Flemish primitives (Vlaamse Primitieven and the Golden Age of Dutch and Flemish painting. (See, among others, the Association of Van Lymborch Brothers, Maelwael Van Lymborch Foundation, and the Maelwael Van Lymborch Huis in Nijmegen).

The Rembrandts of the Middle Ages

Nijmegen was their hometown, and they worked for the mighty Duke of Gelre (until 1543, the last independent area in the Netherlands!). However, they were so talented, innovative, and versatile that the Dukes of Burgundy and members of the French royal family (the Duke of Berry) took them into service after 1400.

Maelwael is derived from the German words “Malen” (meaning “painting”) and “wael” (meaning “well”), so he was a skilled painter. He originally came from the region of  Xanten.

The Maelwael and Gebroeders Van Lymborch House (huis) on the Burchtstraat in Nijmegen, dating back to 2025, is dedicated to its dazzlingly beautiful arts. These ‘Rembrandts’ of the late Middle Ages left their mark in Dijon, Saumur, Bourges, Paris, and Chantilly.

The Belles Heures (left) of the Duc de Berry, the Très Riches Heures (right) of the Duc de Berry, facsimiles, Maelwael Van Lymborch Huis, Nijmegen

In other words, between 1375 and 1420, artists from the Duchy of Gelre set the tone for the Flemish primitives and the high culture at the French and Burgundian court. The beautiful Très Riches Heures and the Belles Heures (books of hours) of the Duc de Berry (1340-1416) are the most famous works of the brothers. Pages (folios) from the Belles Heures were displayed in 2005 at the Valkhof in Nijmegen, the Getty Museum in Los Angeles, and in 2010 at the Metropolitan Museum in New York.

Even a procession of knights, ladies, and their entourage from the Duchy of Gelre marched through the avenues and Grand Central in New York! The Très Riches Heures will be on display (from June 7 to October 5) at the Musée Condé in the Château de Chantilly, near Paris. Here, too, the noble entourage from Gelre will make its appearance!

Maelwael Van Lymborch Huis

Mural in the Maelwael Van Lymborch Huis, Très Riches Heures du Duc de Berry (Ms 65, fol. 2r), collection: Musée Condé in Château de Chantilly.

Johan van Maelwael, copies of piéta’s in the Maelwael Van Lymborch Huis, around 1400. Collection: Louvre in Paris.

Johan van Maelwael, around 1400, copy in the Maelwael Van Lymborch Huis. Collection: Louvre in Paris. 

The Bible of Moutier-Grandval

More than 600 years ago, however, monks devoted themselves exclusively to illuminated works. In the summer months, those who want to admire the Très Riches Heures in the Musée Condé in the Château de Chantilly (with a visit to the Louvre and the unique works of Johan Maelwael) can travel to Delémont (canton Jura) beforehand, followed by a beautiful and interesting route via Dijon, Chapmol, Bourges, and Saumur to Chantilly.

The Bible of Moutier-Grandval, around 840, the creation. British Museum London
The museum of Delémont (Musée jurassien d’art et d’histoire) shows an equally exceptional work: the Bible of Moutier-Grandval. From 999 onwards, the abbey of Moutier-Grandval belonged to the bishopric of Basel. This Bible was one of its manuscripts.

This Bible originated around 840 in St. Martin in the Abbey of Tours (France). This beautiful Carolingian Bible then travelled to the Abbey of Moutier-Grandval. The Carolingians were the patrons of the abbey, which flourished in the 9th and 10th centuries.

The abbey was destroyed in 1499, and the monastery church during the Reformation in 1531. The Bible and other art treasures went to Solothurn and Delémont. The (noble) chaplains of Moutier-Grandval built city palaces and a castle in their well-known manner.

The collegiate church of Moutier-Grandval. Collection: Musée jurassien d’art et d’histoire

For centuries, things went well until the French invasion and occupation of Delémont in 1792. The Bible of Moutier-Grandval escaped plundering once more and reappeared in 1822 in the hands of Joseph Alexis Bennot (1753-1837), mayor of Delémont.

Impression of the exhibition  ‘Le Bible de Moutier-Grandval. Sur les traces d’un chef-d’oeuvre’

He then sold the Bible, thanks to the mediation of Baron Konrad Karl Friedrich von Andlau (1766-1839), the former governor (1814-1815) of the former prince-bishopric of Basel in Arlesheim.

The new owner was Johann Heinrich von Speyr-Passavant (1782-1852) from Basel. Von Speyr-Passavant was a collector of manuscripts. The University Library of Basel manages its extensive collection.

At this time, interest in illuminated medieval manuscripts and art also increased, and Von Speyr was a collector and an art dealer. In 1836, he sold the Bible to the British Museum.

Since then, London has been its new home, but it remains a cultural heritage. In 1981, the Bible of Moutier-Grandval returned to Delémont for the first time. Almost fifty years later, the Bible comes home again for a short time near the castle of the Chapter.

Impression of the exhibition  ‘Le Bible de Moutier-Grandval. Sur les traces d’un chef-d’oeuvre’

Conclusion

What the Très Riches Heures and the Belles Heures of the Duc de Berry by the Van Lymborch brothers and the Bible of Moutier-Grandval have in common is their exceptional beauty, craftsmanship, and innovation. How so ‘dark’ Middle Ages?

How would a medieval person react to the 20th and 21st centuries with their atomic bombs, poison gas, concentration camps, holocaust, communism, Nazism, and environmental pollution? Every era has its sins.

However, the arts bring light, even in the darkest times. Both exhibitions (March 8-June 8) in Delémont and the Musée Condé in Château de Chantilly (June 7-October 5) are a unique opportunity to admire medieval art on location, and perhaps a visit can be chronologically combined!

(Literature and further information: L. Marti, Le Bible de Moutier-Grandval. Sur les traces d’un chef-d’œuvre, Delémont, 2025; A. Stufkens, Cl. Verhoeven, Johan Maelwael en de Gebroeders van Lymborch. Grondleggers van de Nederlandse schilderskunst, Nijmegen, 2025)

Direct Democracy, Citizens and Federal Government in Switzerland

It has wholly escaped the attention of foreign countries. Still, on March 12, 2025, the United Chambers (Vereinigte Bundesversammlung, l’Assemblée fédérale, chambre réunies) of the Swiss parliament (the Nationalrat/Conseil national and the Ständerat/Conseil d’États) elected a new member of the national government (Bundesrat/Conseil fédéral) based on the Zauberformul/formule magique. Martin Pfister from Die Mitte/Le Centre party is the successor of a party colleague who resigned early due to personal reasons.

Previous publications discuss the functioning of the government and the election procedures of government members in detail. What makes this election unique, however, is that it was made against the preference of the Die Mitte/Le Centre party leadership candidate.

The meeting room of the government (photo: www.admin.ch)

The appointment of members of the national government

Based on the Zauberformul/formule magique, the government has been composed since the 1950s of seven representatives from the four largest parties: currently, two seats are allocated to a conservative party, two to a liberal party, two to a left-wing party, and one to a centrist party (Die Mitte/Le Centre). This corresponds to the country’s voting: approximately 60-65% are conservative-liberal-centrist, and approximately 35-40% are left-green.

Due to the Zauberformul/formule magique, the recruitment of government members is one of the most important tasks of a governing party. This concept only works if the ministers from right to left are qualified and can also work together, not based on a government program, but on the necessary policy and topical issues.

Therefore, the members of parliament are free to choose. Candidates other than those officially nominated by the party have previously achieved the majority of the 246 votes. Multiple rounds of voting are often needed.

The first Federal Council was elected on 16 November 1848. (Photo: www.admin.ch)

The government is based on the principles of cooperation, finding compromises (Konkordanz/concordance), and speaking with one voice (Kollegialität/principe collégiale). These seven ministers are, so to speak, locked in an imaginary space of collegiality without a boss and without the possibility of announcing divergent policies to the public and media (in principle).

The election of a minister is also not a matter of one person, such as a prime minister, because Switzerland does not have a prime minister. The government is without hierarchy, and all members are entirely equal. Every year, the parliament elects one of its members as the head of state or president, who primarily has a ceremonial function. Reappointment is possible, but not for consecutive two-year terms.

In addition, candidates are extensively screened at the party level in the cantons (the breeding grounds of Swiss democracy). Apart from character traits and qualities, the focus is primarily on a candidate’s political track record, societal engagement, and involvement in public administration.

Candidates can’t be flown in to lead a party or become ministers after a long absence from the country. Government membership is a serious matter, and it is one of the highest offices in the country. The Swiss system has no place for opportunism or ‘the strong man or woman’.

Moreover, this procedure and the composition of the government deserve a place in the Guinness Book of World Records. Since 1848, the Swiss government has had seven members and seven departments, no more and no less. The proof of the pudding is in the eating, and this unique system in this multicultural, multilingual, and multireligious country with its 26 sovereign cantons has proven its value and usefulness.

The vote on a new government or a new member in the united session of Parliament. Photo: www.admin.ch

Reforms

That does not mean there is no need or desire for reform in some areas, such as the rise of new parties (the Greens and Green Liberals) and their presence in government at the expense of another party.

Due to increased government tasks and (international) complexity, expanding the government to two members is also under discussion.

Moreover, the number of optional referendums and popular initiatives is subject to inflation. When introduced in 1874 and 1891, it was not easy to collect the necessary signatures. Nowadays, with the help of modern social media, gathering the required 50,000 and 100,000 signatures is relatively easy.

Geneva, 25 September 2022, the national optional referendum.

Direct Democracy

This system dates back to 1848 and has been functioning for over 175 years. Direct democracy also results in the willingness and necessity to compromise from right to left. If a law or European/international policy is at stake, the people often have the last say in a (mandatory or optional) referendum.

This system works satisfactorily, although not perfectly. In general, society and citizens accept the (new) policy through extensive consultation of organisations and stakeholders and fundamental public discussions, and there is no place for hasty and opportunistic ‘one-man/woman shows’ of politicians.

Yet polarisation, personal and even rude attacks by some media and politicians on government members, and decreasing collegiality within the government are also increasing in Switzerland. This undermines the foundation of the system: Konkordanz and collegiality.

Bern, the seat of the national government and parliament

Conclusion

Swiss society and politics are also primarily based on the Militia principle (Milizprinzip/principe de milice). If polarisation and aggressiveness increase, fewer good candidates will want to give up their other careers for public office, partly due to the role of social media.

Therefore, the unique and good Swiss system is not self-evident. Not only ministers, but also citizens, the media, and society make a difference. In Switzerland, citizens are sovereign, which creates an obligation. The citizen is the political pearl of the country, noblesse oblige, and the ministers are only the executive power.

In other words:

“Democracy can be exhausting and tedious, and decisions often take longer than in other forms of government. Nevertheless, direct democracy is also the appropriate form of government from an ethical perspective.

The connection is indirect: the people affected by a decision make it together. And the people who made a decision also bear the consequences together.

The liberal demand for more freedom and personal responsibility is most comprehensively implemented in direct democracy. It is also clear that a state with well-developed participation rights has a much better relationship of trust between citizens and the state.

If citizens do not see the state as an enemy but as a community in which they are involved and can participate, they are more likely to accept decisions and be willing to engage.

It explains why the Swiss people do not want to join the European Union. After all, Switzerland left behind its European Union of sovereign cantons, the Eidgenössische Union, in 1848 and replaced it with a modern and more sustainable Confederation.

Or should the European Union join the Confoederatio Helvetica? (Th. Lötscher, Demokratie mit Zukunft. Die Erschaffung der modernen Schweiz, Thun, 2022). Or maybe Alsace, Baden in Baden-Württemberg, or Vorarlberg? Would the European Union be admitted because of its democratic functioning?

(Source: A. Vatter, Der Bundesrat, Zürich 2020; Swiss Parliament; Swiss Government)

The new government, 12 March 2025. The chancellor (Kanzler/chancelier) on the right (Photo: www.admin.ch)

The White Tower and Centre for digital construction technologies

After years of faithful service and fantastic artistic performances, the Julierturm (Julier Tower)  was demolished two years ago. However, a new tower, the Weisse Turm (White Tower), by Nova Fundaziun Origen from Riom (Canton of Graubünden), has already been built. 

Riom

While the Julierturm was the highest theatre and concert hall in Europe, the White Tower is the world’s highest, boldest, first and most original digital tower! It stands in the village of the Weisse Villa (White Villa) and the Posthotel Löwe in Mulegns.

The White Tower consists of thirty-two digitally printed columns, eight per floor. Each column is unique, with different textures, heights, and virtuoso patterns. The columns were designed, tested, and printed at the ETH in Zurich.

In nearby Savognin, craftsmen assembled the individual column sections. In Mulegns, the organic columns were stacked on top of each other using a giant crane. The tower is designed to be modular and can be dismantled entirely again.

The Weisse Turm rises between the roofs of Mulegns. It is thirty metres high and stands on the walls of the old smithy. Thirty-two pillars support a filigree dome that crowns the building. In summer, the wind blows through the twisted columns. The tower wraps itself in a festive dress in winter and hosts concerts. The White Tower will be inaugurated on 20 May 2025.

Another project is being developed in the mountain village of Mulegns: Das Zentrum für digitale Bautechnologien (ZDBT), the Centre for Digital Building Technologies. Origen is building a competence centre for digital building technologies in the historic coach house in collaboration with the Digital Building Technologies research group at ETH Zurich and partners from industry and commerce.

The centre provides specialists with in-depth knowledge of digital construction processes. Digital technologies, robotic production methods, manual processes, and material technology requirements are explained in relation to specific projects. The ZDBT is scheduled to open on 23 May 2025.

(Source and further information: Nova Fundaziun Origen)

The Swimming Pool Weggis – from a Disgrace to the Lido-Hallenbad

Following World War I (1914-1918), Switzerland underwent significant changes in its politics, art, and society.

For example, the Kurverein of Weggis opened the Weggis Lido open-air swimming pool in 1919. It was the first facility in Switzerland where men and women bathed together on the open beach, i.e., not segregated in their separate areas.

The new bath was a great success and became a model for other baths in Lucerne, Geneva, Fürigen at the foot of the Bürgenstock, Wesen on Lake Walen, Zurich, Stansstad, Flüelen, Gersau, Vitznau, and Buochs.

Of course, opponents (‘a disgraceful activity’, ‘the disgraceful bath’) also attracted attention in newspapers and (local) politics.

There were also satirical noises: ‘In the past, it would have been bad for morale, but nowadays beach baths are everywhere. It started in Weggis, and then Lucerne (the Lido) joined in…’

Or the melancholic: ‘Those were still the days of “poetry”, when people walked around in swimming costumes and secretly peered through the cracks and chinks from both sides …’ (Der Nebelspalter, 8 August 1922).

The Lido swimming pool in Weggis remains and has been significantly expanded since 1919. However, the concept and location remain unchanged.

Lanterns, a Basler centenarian and a digital Fasnachtmuseum

The Basler Fasnacht is over again (March 10-12, 2025)—or not. On three consecutive ‘Bummelsonntage’ after March 13, the active participants again present themselves to the public with their drums, piccolos, wind, and percussion instruments in cliques or informal formations.

However, they do this without Fasnacht costumes, cortège, or lanterns. This practice symbolises an essential social aspect of Fasnacht: it is for and by the citizens and their associations, without distinction of person, Age, gender, origin, title, education or profession.

They have nothing to hide nor fear sanctions for their social and political views and themes of the Fasnacht. Fasnacht is a public theatre where the city’s residents participate and serve as spectators. Moreover, Fasnacht is an integral part of Basel society, integrating all ranks, classes, and newcomers.

 

 

Moreover, this Fasnacht also had something to celebrate, and Frau Fasnacht did it in style. The most famous Fasnächtler, Jean Tinguely (1925-1991), was born a century ago. The museum and the Tinguely Brunnen in Basel pay attention to his time as an active and creative participant in the Fasnacht, even though he did not play an instrument. No fewer than 18 cliques chose Tinguely as their theme, featuring costumes, lanterns, wagons, and various objects.

Tinguely (and his wife Niki de Saint Phalle, 1930-2002) has his museum (and not only in Basel). Regrettably, the often beautiful lanterns dedicated to him are no longer accessible to the public. It also applies to other lanterns.

The smoke commemorates an incident in 1974. Tinguely ignited fireworks with a lot of smoke in the Cortège, which led to a lawsuit and angry reactions. Fifty years later, they have him forgiven. 

Moreover, it is interesting for historians to gain insight into the (international) politics and (regional and national) themes of that moment in 100 years (or earlier).

Lanterne and larven of the Verschnuuffer Clique

The lanterns and subjects (and the Schnitzelbängg) give an impression of what occupies people; they mirror the spirit of the times and society. For example, they agree on Trump: “Em Trump sy Arroganz isch e Dootedanz” and “Putin und Trump, das isch bekannt – gänn sich gärn die rächti Hand“.

An idea for a digital Fasnacht museum?

Initiative for a digital Fasnacht museum based on random lanterns, wagons, costumes, and themes

And a shop nearby