National Museum Zurich 125 Years

The National Museum Zurich celebrates its 125th anniversary in 2023. The anniversary provides the occasion to look back on the museum’s eventful past and cast a glance into the future. The highlight of the celebrations is the anniversary weekend on June 10 and 11, featuring a public programme.

This anniversary weekend offers a diverse programme with exhibitions, workshops and special guided tours. There will be short “time journeys” into the past.

The intervention “1898-2023-2148 ” provides a glimpse into the future and can be seen exclusively during the anniversary weekend. Four school classes from the four language regions present objects from their everyday lives that could be seen in the museum in 125 years.

Saturday evening will conclude with a concert by Swiss musician Marius Bear in the museum courtyard. The National Museum dedicates Sunday to families.

(Source and further information: Landesmuseum Zürich)

The House of the Cantons

The opening of the House of Cantons (Haus der Kantone, Maison des cantons) in 2008 was a milestone in the cooperation between the 26 cantons. As a joint umbrella organisation of 13 governmental and 16 associated cantonal organisations, it functions as a centre for knowledge, discussion, and consultation.

The House of Cantons concentrates knowledge and provides a central meeting and communication infrastructure. It also facilitates cooperation between the cantons and the Confederation at the national level (government, ministries, and parliament) and promotes cooperation, dialogue, communication, and information exchange between them.

Conference of Cantonal Governments

The 26 cantons’ governments coordinate their (sometimes divergent) interests at the federal level through a four-year Conference of cantonal governments (Konferenz der Kantonsregierungen, KdK).

The KdK is primarily concerned with the renewal and further development of federalism, the division of tasks between the Confederation and the cantons, decision-making within the Confederation, the implementation of federal tasks by the cantons, and (early) communication on foreign and European policy.

Conference of Directors

The director’s conferences (Direktorenkonferenzen) cover the cantonal authorities’ powers (finance, education and culture, documentation, education, health, justice and police, social policy, forests, nature, landscape and climate, construction, planning and environment, public transport, economy, energy and agriculture).

Subsidiarity

In 1848, only minimal powers were granted to the Confederation. This principle is expressed in Article 3 of the Constitution: Subsidiarity requires that all public tasks not explicitly assigned to the Confederation fall within the competence of the cantons, which can delegate them in part to the municipalities.

In most cases, the cantons are also responsible for implementing federal policy and legislation. Only in international (c.q. European) relations, defence and finance, and taxation does the Confederation still hold all, or most, of the powers (as expressed by the budget).

But it is precisely here that the Council of State (the Ständerat, the parliamentary representation of the cantons at the federal level) and the cantonal referendum (Kantonsreferendum) can influence federal decisions.

Raison d’être

In many other areas, the situation is diffuse. However, the division of tasks between the Confederation and the cantons (and municipalities) has changed since 1848, and considerable powers have been transferred to the Confederation.

The reorganisation of the financial system of transfers to the cantons and the division of tasks (Neugestaltung des Finanzausgleichs und der Aufgabenteilung zwischen Bund und Kantonen, NFA) between the Confederation and the cantons came into force in 2008.

However, the cantons have also changed since 1848, both economically, religiously, and socially, as well as in terms of population density and urban-rural development.

The House of Cantons finds its raison d’être in these developments.

(Source and further information: A. Vatter, Das politische System der Schweiz, Baden-Baden, 2016; Haus der Kantone/ Maison des Cantons).

The Munot of Schaffhausen

As early as the 14th century, a fortress stood on the Emmersberg ridge in Schaffhausen. Old pictures show a mighty tower called Annot (ohne Not/without need), with a defence platform in front of it, the Zwingolf. Both were demolished after 1564 when the Munot was built.

The so-called Römerturm (Roman tower) on the Rhine slope also belonged to the older Annot. The Munotverein and the city have been maintaining the complex since 1836.

Morcote, la perla del Ceresio

Lake Lugano (Lago di Lugano) in the canton of Tessin (Ticino) is named after Lugano, the most populous city but not the canton’s capital. Lago di Lugano is also called Ceresio. This name occurs in connection with the village of Morcote, called the “la perla del Ceresio”, one of the most beautiful villages in Switzerland.

Swissminiatur, the open-air museum, and the Italian enclave Campione d’Italia are also along the lake.

The first mention of the village dates back to 926. Its name derives from morae caput, meaning the top or end of the rock. The dukes of Milan granted the village market and other rights and exempted it from tolls.

The Eidgenossen conquered Morcote in 1517 and governed it as an ‘Untertanengebiet’ (occupied territory) until 1798, when the Helvetic Republic was established (1798-1803). Since 1803, Morcote has been part of the new canton of Tessin.

Santa Maria del Sasso. The conquest of Lugano

Until the dam construction at Melide in 1847, Morcote was an important port and trading centre for goods crossing the lake to and from Lombardy. The many patrician houses, the promenade, the castle on Monte Arbostora and many monuments recall this heyday.

The church of Santa Maria del Sasso was built in several phases. The Romanesque, Renaissance, and Baroque styles indicate a long construction period spanning three centuries until the 18th century. The church was an extension of the Romanesque oratory of Sant’Antonio Abate, dating back to 1300.

Maria del Sasso

Sant’Antonio Abate

The first extension of the church took place in the 1470s. The side chapel San Carlo was built in 1581. The Santissimo Sacramento followed t in 1591, and the apse, two sacristies and the main altar in 1750-1758.

The 15th- and 16th-century frescoes are highlights of the Lombard style. Before admiring these works of art, however, 404 steps must be climbed.

The church tower can be seen from afar and is one of Tessin’s typical towers, characterised by its diverse styles and features. If you have had enough of stone, art and religious objects, you can take a short diversion to the exotic Scherrer Park with its breathtaking views of Lake Lugano and the mountain landscape or stroll along the lake promenade.

(Source and further information: Morcote, la perla del Ceresio)

Johann Peter Hebel and his Legacy

““Das Talent zu forcieren, lag Hebel nicht, er besass den Sinn für Proportionen, Augenmass, Instinkt für das, was nötig und möglich ist und was nicht” (Robert Minder, Hebel, der erasmische Geist oder nützliche Anleitung zu seiner Lektüre, (Leipzig, 1959). (He had a sense of proportion, an eye for detail, an instinct for what is necessary and possible and what is not).

Johann Peter Hebel. Von der Wiege bis zum Grabe. Hebelhaus Hausen

Johann Peter Hebel (1760-1826) is one of the most admired and well-known poets and prose writers in the German-speaking world, admired even by his contemporaries, including Johann Georg Jacobi, Jean Paul, Jeremias Gotthelf, Johann Wolfgang von Goethe and, much later, Hugo von Hofmannsthal, Rainer Maria Rilke, Martin Heidegger, Heinrich Böll, Bertolt Brecht and Botho Strauß.

Hebel was born in Basel. His parents were immigrants from the Kurpfalz (his father) and Hausen (his mother) in the former margravate of Baden, now part of Baden-Württemberg.

Emanuel Büchel (1705-1775), Totentanz 2, Hebel’s house of birth in Basel, around 1770. Private collection

Hebel’s house of birth today

Johann Peter Hebel. Dreyland Dichterweg

After his father’s death, Johann Jakob Hebel, in 1761, lived with his mother in Hausen during the winter and in Basel during the summer. In the winter, he attended the Latin school in Schopfheim, a village near Hausen. In the summer, he was a pupil at the town school near St. Peter’s Church (where he was also baptised) and the Gymnasium in Münsterplatz, Basel. His homeland (Heimat) was the area between the Feldberg, the source of the Wiese, and Basel, where the Wiese flows into the Rhine at Kleinhüningen.

Gustav Gebhardt (1821-1896), Schopfheim, Innerer Marktgraben and the Lateinschule, 1885.  Stadtarchiv Schopfheim

After his mother died in 1773, he went to Karlsruhe, the residence of the Margrave of Baden. He became a teacher at a grammar school, an associate professor of theology and Hebrew, and a deacon at the court church in Karlsruhe.

Hebelhaus and -museum, Hausen

His Alemannic poetry

He published his first Alemannic poems in this period, which caused a stir among literary luminaries and scholars after their first publication in 1803. How could a “peasant dialect” produce such beautiful poems? Following the publication and subsequent reprints, his fame was established. The Alemannic language, Basel and the Wiesental were Hebel’s primary sources of inspiration.

The Wiese and the Wiesental

Hebel knew (classical) poetry and applied it in his Alemannic poems, a unique feature. Most writers, politicians and scholars had never seen (or heard) Alemannic written (or spoken).

Although he wrote his poems in Alemannic, his titles were in High German, and he included up to 30 pages of word explanations because the Alemannic dialect was not spoken outside his region.

Lörrach, Rötteln Castle

Jetzt goht’s wieder witers und alliwil aben und abe!

Siehsch dört vorne ’s Röttler Schloss – verfalleni Mure?

In vertäfelte Stube mit goldene Liiste verbendlet

hen sust Fürste gwohnt und schöni fürstligi Fraue,

Heren und Heregsind, und d’Freud isch z’Röttle deheim gsi.

(Johann Peter Hebel,  ‘Die Wiese’, 1801)

His Alemannic poems soon became known far beyond the German-speaking world. A Russian translation appeared as early as 1818, followed soon by translations in Dutch, Japanese, and French.

In the 20th century, the German writer Rainer Maria Rilke (who also found his “home” in Switzerland and is buried in Raron in the canton of Valais) put it this way:

“”Nicht daß dieser Mann im Dialekt gedichtet hat, sondern daß der Dialekt in ihm poetisch geworden ist, das ist das Entscheidende“. (Not that this man wrote in dialect, but that the dialect became poetic, that is the decisive issue).

Ötlingen, St. Gallus Church

The calendar stories

The calendar was a medium with a large circulation (up to 50,000 copies per year in the Margraviate of Baden), containing practical information (months, days, markets, holidays, phases of the moon, sunrise, sowing and harvesting dates, etc.) supplemented by short, mainly dramatised and exciting stories from everyday life. Hebel took over the publication of this calendar in 1808.

His calendar stories in “Der Rheinländische Hausfreund oder neuer Kalender” and the volume “Schatzkästlein des rheinischen Hausfreundes“, published in 1811 and containing the best stories from the “Rheinländer Hausfreund”, contributed significantly to his fame.

He wrote in High German. He drew inspiration from a variety of written and oral sources. He developed a style for the short story that is still imitated today.

His career

Hebel always had another profession besides writing. During the Napoleonic era, Baden was elevated to a grand duchy in 1806. In 1819, Grand Duke Ludwig I (1763-1830) appointed him prelate of the Evangelical Church of Baden, the highest ecclesiastical office in the Grand Duchy, with membership in the First Chamber of the Landtag and the Evangelical Church Synod.

Hebel’s grave in Schwetzingen. Foto: Hebelhaus Hausen

Literary legacy

Hebel died and was buried in Schwetzingen on 22 September 1826. He inspired many writers, both during his lifetime and after his death. The Wiesental and Basel honour the writer in many ways: the Hebel Prize for Literature, commemorative plaques, Hebel fountains, Hebel walks, Hebel cafés, the annual Hebel Day and the Hebel “mähli” on 10 May, as well as the Hebel House (Hebelhause)in Hausen, Hebel associations, Hebel pavilions, the Basel Hebel Foundation, Hebel streets, Hebel squares, statues and busts, (academic) publications and tributes in many other forms.

Hebeltag, Hausen, 10 May 2023 

His greatest gift to Basel is his poem “Z’Basel an mim Rhi” with the Allemannic title “Erinnerung an Basel”:

Z’Basel an mim Rhy,

Jo, dert möcht i sy!

Weiht nit d’Luft so mild und lau

Und der Himmel isch so blau

An mym liebe, an mym liebe Rhy

It was also his last Alemannic poem, which ties in nicely with his first. His first poem under the title ‘Die Wiese’ is about the source of the Wiese near Feldberg and ends in Basel:

Feldbergs liebligi daughter, o Wiese, bis mer Gottwilche!….’s Gotthard’s grosse Bueb (the Rhine), ………doch wie ne Rotsher vo Basel stolz in sine Schritte und schön in sine Giberde.

(Source: B. Trachsler, Johann Peter Hebel. Werkauswahl, Basel 2010, Hebelhaus Hausen)

Johann Peter Hebel Gesellschaft, Basel Tattoo Parade, 15 July 2023

Basel

Hausen

Lörrach, Hebelpark

Hebelbrunnen, Hausen

Basel, St. Peterskirche and Hebelbuste

Facade Paintings in Schaffhausen

During the Renaissance (1450-1600), painting facades after houses was a widespread practice. In Schaffhausen, many house facades were also decorated with frescoes.

The frescoes of the house Zum Ritter are among the most important Renaissance façade paintings north of the Alps. The painter Tobias Stimmer (1539-1584) created this monumental mural between 1568 and 1570.

Besides painting facades, he made a name for himself as a portraitist, draughtsman, and illustrator, and, together with Albrecht Dürer (1471-1528) and Hans Holbein the Younger (1497-1543), is among the most influential artists of the late Renaissance in the German-speaking region.

The work is a coherent pictorial programme. It depicts the civic virtues of honour, patriotism and self-sacrifice.

(Source: Museum zu Allerheiligen, Schaffhausen)

August Brandes (1872-1948), reconstruction, 1907.
Collection: Museum zu Allerheiligen.

Haus zum grossen Kafig.

Liechtenstein 1719-2021

Liechtenstein is the last German-speaking Principality. Until Napoleon and the dissolution of the Holy Roman Empire of the German Nation in 1806, there were still about 300 (very) small to very large German-speaking principalities.

Before the 19th century, Liechtenstein had no constitution in the proper sense of the word. However, customary law and individual documents, such as the Service Instruction (Dienstinstruktion) of 1719, regulated the functioning of government and the rights of the citizens. This was also due to the close connection to the imperial law of the Holy Roman Empire of the German Nation.

Brief History of Liechtenstein

In the 15th century, two Landschaften arose on the territory of present-day Liechtenstein, in Vaduz and Schellenberg, a development similar to the Landsgemeinde in Switzerland (see Swiss Spectator under Constitution, democracy and cantons).

The highest body was the Landschaftsversammlung, a type of Landsgemeinde that also existed in Switzerland. This Landschaft appointed the officials for justice and the government. The Landschaft was also responsible for military affairs.

Until the end of the 17th century, Liechtenstein consisted of the county of Vaduz and the seigneury of Schellenberg, the two territories of the Landschaften.

After the establishment of the Principality of Liechtenstein in the years 1699-1712, the first ruler, Prince Anton Florian of Liechtenstein (1656-1721), issued a Service Instruction on 10 April 1719, which set out the first steps in the functioning of the state and the rights of the citizens. The Landschaften and their rights remained intact.

However, in 1808, after the end of the Holy Roman Empire of the German Nation in 1806, a new Service Instruction was issued, which abolished the Landschaften and limited the role and rights of the citizens.

The Reactionary Constitution of 1818

When Liechtenstein joined the German Confederation (Deutscher Bund) in 1815, following the defeat of Napoleon and as a result of the Congress of Vienna (1814-1815), the Principality introduced a new constitution.

Prince Johann I of Liechtenstein (1760-1836) signed the Constitution on 9 November 1818. The text consisted of only 17 paragraphs. There were no political rights for citizens or parliamentary representation. The Prince was the sole holder of state power.

This Constitution did not reflect the old rights of the Landschaften. It was a reactionary constitution that reflected the monarch’s omnipotence.

The failed Revolution of 1848-1849

The German Revolution of 1848/1849 also impacted the Principality of Liechtenstein. In the Principality, there was unrest and (a kind of) revolution, and the subjects demanded a modern constitution and more rights. However, with the failure of the German Revolution and the subsequent reaction, the initiative for a new Constitution failed.

Constitution 1862

However, the new Prince Johann II of Liechtenstein (1840-1929) surrendered his absolutist power in 1862. This Constitution corresponded to the constitutional norm of the time in the German Confederation. The core of the Constitution was still the state power of the Prince, but was now supplemented by a parliamentary Landtag. This Constitution also introduced fundamental rights for the citizens.

Constitution 1921

With the formation of political parties in Liechtenstein, calls emerged for reform of the monarchical state system. Following the collapse of the monarchy in Germany and Austria in 1918, the concept of absolutist rule was no longer tenable.

On 5 October 1921, the modern Constitution was signed by Prince Karl of Liechtenstein (1878-1955). The Constitution defines the Principality of Liechtenstein as a hereditary constitutional monarchy based on a democratic and parliamentary system. Among other things, it introduced the referendum and the popular initiative, following Switzerland’s example.

Liechtenstein also sought close economic and monetary ties with Switzerland.

Although the Prince remained head of state and responsible for the country’s representation and foreign policy with some other (veto) rights, appointing government members and legislation was only possible with parliamentary approval. This Constitution is the foundation of Liechtenstein’s rule of law and parliamentary democracy, marking its centenary this year.

However, it is not the end of the discussion. In particular, the Prince’s right of veto, his power to dissolve parliament and to govern by decree in urgent cases (Notrecht), and his competence and active role in foreign policy are under discussion.

The current head of state, Hans-Adam II of Liechtenstein (born 1945), and the citizens have been engaged in a permanent dialogue and conflict over these powers since he became head of state in 1989.

(Source and further information: 100 Jahre Verfassung, Landesmuseum Liechtenstein, www.landesmuseum.li).

The Development of the Commons in Switzerland

The book focuses on the differences and similarities between local institutions (rules and regulations) and forms of commoners’ organisations (corporations of citizens and corporations) which have managed common property for several centuries and have shaped the cultural landscapes of Switzerland.

At the book’s core are five case studies from Switzerland’s German, French and Italian-speaking regions. Beginning in the Late Middle Ages and focusing on the transformative periods in the nineteenth and twentieth centuries, it traces the internal and external political, economic and societal changes.

The volume highlights how institutional changes in the management of the commons at the local level are embedded in the respective cantons and the state’s public policies, generating a high heterogeneity and an actual laboratory situation.

It shows the power relations and very different routes that local collective organisations and their members have followed to cope with the loss of value of the commons and the increased workload for maintaining joint property management.

Providing insightful case studies of commons management, this volume delivers theoretical contributions and lessons to be learned for the commons worldwide.

Edited By Tobias Haller, Karina Liechtli, Martin Stuber,Franois-Xavier Viallon, Rahel Wunderli (Editors), Balancing the Commons in Switzerland. Institutional Transformations and Sustainable Innovations (Routledge, 2021).