The exhibition (Katja Aufleger. Gone) brings together works from the past decade: breakable sculptures, hazardous chemicals and video works.

With transparent materials such as glass, plastic, and coloured liquids, but also immaterial components like sound and movement Katja Aufleger (1983) develops fragile installations and films.

At first glance, the objects seem familiar and appealing, but on closer inspection, it becomes clear that the works are inhabited by uncertain or even dangerous tensions.